fiction story by Anthony Doerr

All the Light We Cannot See

All the Light We Cannot See is a fiction story by Anthony Doerr, which has a setting on the German occupation of France. It is about Marie- Laure who lived withering father in Paris, especially around the National Museum of Natural History. His father was the master of thousands of locks. This period was a dark time in the history of France as the Germans’ intimidation was al away and a hindrance to their peace. This book is, therefore, an elaboration of the concept of light, both its presence and absence. This discussion focuses on the light as a character and as a theme in the novel, as presented by the author.

All the Light We Cannot See is presented in several themes, and it is used to explain the various situations in the novel. For instance, the effect of light on everyone it touches is presented in the story based on the freedom they get when they receive the light. The horror of war and the effect tom the people present the central theme in the book. Moreover, the light we cannot see used as a metaphor to represent the horrible period and sufferings of the petiole during the dark ages of Germans brutality in the world war.

At the beginning of the book, there is a description of the leaflets falling from the sky in France, telling individuals tom to leave the city. This is the beginning of the absence of light in the town in the form of a terrible war. The use of those leaflets also describes the beginning of the dark ages of war that was and that it sets the choice of character. At this moment, Marie Laure’s life is highly separated by the war. Her childhood teaching of her father was to navigate her neighbors. It tells the story of the war based on the experience of Marie Laura’s experience as the person in the middle of all the art activities. Her search for light and the craving for the end of the war becomes the central point used in the story and the title.

One of the ways light is expressed in the story is the theme of remembrance. It plays a significant role in the lives of characters, choices, and experiences. Some of the sweet memories served as a source of comfort in the time of the darkness. It reminded the characteristics of those sweet memories during the times of light which they longed for during this war. The memories also offer an escape from the present reality .all these remembrances provide insight or view in each other. For instance, Werner retreats from the moral corruption and brutality at Schulpforta into the nostalgia of sweet childhood memories of Elena, Frau, and Jutta. As a soldier, he invokes the technical science instructor with his remarks that they lived in trial time. He also confronts the radio professor to open his eye and view the reality. This was an appeal to the radio professor to become sensible and start finding the light which they were all looking for

The memory of light also came to Marie Laura, notably when the darkness increased around her. She recalls the days he spent with her father, Dr. Graffard, and at the museum. She describes it as a special moment with his Papa. This represented a light in the past where peace was available. Those memories of light bring comfort to her, their memories, which give her the courage to wait until the darkness end as they find new light. They represent the light they could not see but just to have the memories as a means of survival.

Entrapment is also a theme that represents the light the characters could not see. These entrapments were in the form of physical, spiritual, intellectual, and emotional. This response of dealing with motivates several characters in the book to take action. For instance, Werner makes a life-changing decision to register the Nazi elite training schools. Thesis influenced by his fear of being trapped in Zollverein. It is also away. It expresses a way of finding light during the darkness of entrapment. His dream was to become a great scientist. He did not want the desire to die in the mines, and therefore he had to find the light. He is, however, morally ensnared. In this case, he had to do away with humanity to see the light he is looking for. He is later trapped in the utter darkness hotel cellar. This was the same as the darkness he tried to escape from the mine. All these were means of finding the light he could not picture on the specification of achieving.

Marie-Laura was, however, trapped in many levels of blindness. However, with the help of her father, she escapes the dark confinement through a feeling of toughness. The physical entrapment was presented in Saint Milo when she found herself in her father’s fear, who forbade her from leaving Etienne’s house. She is later. She is, however, cornered by sergeant Major von Rumpling both grotto and attic of their uncle’s house. Von Repel is, in turn, trapped by a disease that consumed her body. There are of other characters whose lives were threatened with entrapment. They include Etienne LeBlanc, who is gripped by horrible memories of WWI. This entrapment shows the themes of light where the characters were trying to avoid the darkness as a means of finding the light. It is the dream for the light that kept the characters moving and ensuring that they do not give up, hence the title of the book ‘All the lights we cannot see.’

The cut of communication during the war presented as a time of darkness in the region of question. For instance, the connecting lines of radio transmissions were the means of binding the characters together. The radio communication helped individuals who could n meet to hear. The use of mass media, such as radio transmission tom spread propaganda an in the time, acts as a darkness in the period. It became the responsibility of the characters to create for light. The lines of communication were so vital before the war, especially in being connected to the outside world. This is demonstrated when Werner connects his radio to start listening to the events of the outside world. However, during the war, the voice of the Third Reich was used to spread propaganda to the children in the orphanages. These same voices were used to unify the nation. The breaking away from the truth through cutting communication was a way of symbolizing the beginning of darkness. The breakage of the radio symbolized the disconnection between Weiner and her sister. The period of darkness and the spread of propaganda as a light that many characters in the book struggled to leave

The rebuild communications were symbolized by the act of Werber to repair her broken radio. This was a search for a connection to the world and finding a light that was lacking at the time of the war. He traced the invisible waves for Russia to try finding the truth and finding the reality of what was happening in the other parts of their world. Several connections among characters were oriented with a broadcast dream from Etienne in Saint-Malo. Communication was a means of finding the light and truth of their world (Doerr, and Appelman 4). The difficulties were based on the way the war controlled communication. it prevented individuals from understanding what was going on in the world.

Destiny plays a critical role in the finding of light in the book. It is based on a choice where individuals had to determine which destiny to follow based on their choices. The author, therefore, asks himself if it is in the control of humans to choose and shape his or her life. It is also a question of whether the destiny of humans beings is controlled by fate. These questions are not answered in the story, but the author leaves the reader to debate. There is a suggestion that human is in control of choice in their life, and they should always aim at finding the light they need. These choices pave the way for their life paths. It is a human center and humanism view of existence. This also gives the book its title, the tike the light that individuals cannot see. It is a light that they have to find thorough the various life choices they make, as expressed in the book. For instance, Marie Laure follows the leads of her father and relies on reasons and logic as a means of guiding her decisions. Warner also makes conscious choices that tend to guard its path. His choice of attending Schulppforta to escape the deaths in the Zollverein is a chance to choose his fate.

The choices people male, therefore, are always driven through a better world and finding the light. Despite the difficulties that the characters face in setting the pace, results were always a general inability to realize the exact dream that an individual searches for. Therefore, the element of fate in finding light is an aspect that is utilized in the book. Each person is presumable in charge of his fate. The incorporation of stores in other books, as reflected by other characters, gives s true understanding of the fate and a way of setting the destiny of an individual. It is a means of finding light and ensuring completeness in the structure of society. He process of understanding the concept of fate and light involves having the ability to utilize the ideology of specifications and understanding of the means to which meet the needs of the society. The ability to see the light and find the specific ways of approaching fate is therefore further answered for the title as the name is found in the case of Werner and Jutta in the broadcast when Marie Laure s grandfather, the brain is locked in total darkness. This indicates the fact that there is darkness in the brain, and therefore, there was a need to find light as a way of beating the odds. This indicates that for individuals to transform, it becomes necessary to ensure that there is a complete involvement in opening up though tasking risks, making choices, and controlling the general condition in which individuals operate. The light is hard to find. However, it becomes necessary to ensure that an individual unlocks the difficulties in her or his life as a means of reaching the light he or she is looking for. These experiences in the scene of the war some and the hopes that the characters think about the future and what they need gives the book its title as the light we cannot see.

Further demonstration of the title of the book comes from the approach of dreams and fantasies that the characters experience and express in their daily experiences. For instance, Marie Laura is expressed as blind and has to follow the guidance of the father to be able to operate and reach in the world. In this case, there is a metaphoric use of the light that they could not find, even though they were on an active search. It also implies that that light shapes the general theme of the novel, especially in ensuring that every individual has visions despite their intended darkness in the town by then. The commination connectivity, the mining, and the memories of the bright past and the general living in fear of threats and intimidations provide the meant to which individuals were to find the light they were looking for. The buriers block them away from such lights, therefore help to ascertain the t there is a reality and a profound former to which individuals were a given to find. It also expressed the search of the light, which may not exist due to fate. In this case, fate controls the future of the individual, and he or she may not have control of searching her goals in the best way possible because of the uncontrollable fate.

In conclusion, the title of the book is an expression of the metaphoric search of light in the time of darkeners in the world. It is set in the French land and during the period of their ww2. It was characterized by a high level of inhumanity from the side of the Nazi community. Individuals had to choose their lives by finding the lights that we desired in their lives. The dark experiences were observed by almost all the characters in the book. for instance, the communication lockdown, the remembrance of the past, and the general definition of the fate of individuals. The characters such as Marie Laure and others point out the use of hope and memory as a means of achieving the destiny and the lights individuals are looking for. The book, therefore, is based on an approach of ensuring that sterilization of light that is not visible due to the huge darkness that faced the world at the movement.

Work cited

Doerr, Anthony, and Zach Appelman. All the light we cannot see. London: Fourth Estate, 2014.

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